Peanut Gallery Independent Praise of Drew Hempel's research

Readers of my energy - quotes - promotionals

Spooky Action At a Distance that Uses Telepathic Methods - youtube playlist

Best Compilation of Bioenergy Spirit Demonstrations youtube playlist

Idiot's Guide to Daoist Taoist Yoga Neidan Qigong Alchemy Neigong Meditation Kundalini Energy links on youtube

77 Different Sources on de Broglie Law of Phase Harmony and Spiritual Force

The Blue Light of Blues Music: Quantum Biology, Metaphysics and Meditation

Phrygian Frisson Ravel adagio piano concerto 2nd movement playlist
"The universe and I came into being together; I and everything therein are One."

"If then all things are One, what room is there for speech? On the other hand, since I can say the word 'one' how can speech not exist? If it does exist, we have One and speech -- two; and two and one -- three(14) from which point onwards even the best mathematicians will fail to reach (the ultimate); how much more then should ordinary people fail?">"

- Chuang Tzu, 300 BCE

My new blog is

Quantum Nonlocality is from eternal asymmetric time as the 5th dimension, or noncommutative phase as the Tai Chi secret (the three gunas).

Monday, May 1, 2017

The Sound of the Formless

Thank you very much Dr. Victor Grauer for your honesty (and curiosity re: Connes). And I quote Connes (and other quantum physicists-mathematicians on music below):

a “universal scaling system”, ... this discrete scaling manifests itself in acoustic systems, as is well known in western classical music, where the two scalings correspond, respectively, to passing to the octave (frequency ratio of 2) and transposition (the perfect fifth is the frequency ratio 3/2), with the approximate value log(3)/ log(2) ∼ 19/12 responsible for the difference between the “circulating temperament” of the Well Tempered
Clavier and the “equal temperament” of XIX century music. It is precisely the irrationality of log(3)/ log(2) which is responsible for the noncommutative [complementary opposites as yin/yang] nature of the quotient corresponding to the three places {2, 3,∞}." - Alain Connes on quantum music as noncommutative time-frequency origin of reality from infinite spiral of perfect fifths!

Noncommutative Geometry, Quantum Fields and Motives

Alain Connes, ‎Matilde Marcolli - Mathematics
The irrationality of log 3/ log 2 has a manifestation in the theory of western classical music, where a frequency ratio of 2 corresponds to passing to the octave and ...
"Our brain is an incredible ....the receives moments of space of the photons we receive and manufactures a mental picture. Which is geometric. But what I am telling you is that I think ...that the fundamental thing is spectral [frequency]....And somehow in order to think we have to do an enormous Fourier Transform...on geometry. By talking about the "music of shapes" is really a fourier transform of shape and the fact that we have to do it in reverse." Alain Connes, 2012
"Consciousness is when OR events become orchestrated, like sounds and notes becoming music...." Hameroff: "Consciousness depends on anharmonic vibrations of microtubules inside neurons, similar to certain kinds of Indian music, but unlike Western music which is harmonic."" Quantum biology dr. Stuart Hameroff
Listening to music involves the response of the aesthetic subsystem to the music, a process parallel to the resonant response of an atom to electromagnetic radiation. If we feed a system of atoms with energy in an appropriate way ('pumping' the system), a process of stimulated emission occurs whereby the atoms emit more radiation than they take in by absorption, a state of affairs which tends to result in the system becoming unstable and generating radiation spontaneously at a frequency close to the frequency of the spectral line. - Nobel Laureate quantum physicist Brian Josephson.
Manfred Euler's 2013 description of acoustic STM - Scanning Tunnelling Microscopy builds on his previous connections between the quantum acoustic realms.
 Binaural hearing is the acoustic analog of the interferometer or double-slit experiments. The two ears can be regarded as an acoustic interferometer, which recovers the phase difference of signals between the two ears by binaural correlation.
Near-field imaging with sound waves compelling demonstrates the inadequacy of pictorial realism and promotes more abstract views of the reality displayed.
A comparison of sound and matter waves clarifies that these [noncommutative] limitations exist in principle.
2016: de Broglie clocks as synchronization: a tangible model of how mass emerges.
matter waves are locally in phase with the particle clocks (de Broglie's Law of Phase Harmony).

The clock runs forever so it's self-sustaining (consciousness-energy). It resonates with the quantum vacuum.

The harmonic beats creates dynamic energy. So then you have a "phase particle" that can be faster than the speed of light - superluminal - and a "mass particle" that is slower than the speed of light as the "group wave" of the "phase wave." The beats of the phase wave then are "in resonance" with the quantum vacuum - and so create mass from the massless field, explaining the Higgs mechanism.

"Universal coherence" - a "mind boggling outlook."

Coherence as consciousness.
"Ghost Tones"
Manfred Euler is a Professor Emeritus of Physics at the University of Kiel.

It can be inferred that a stability of conformational states of waves is attained at a minimum energy, when the frequencies fit with the first harmonic (1:2), and fit somewhat lesser, but close to the second harmonic (2:3), and somewhat lesser with the third harmonic, etc. This means that the initial value problem can be solved....
".... tentatively designated as “Algorithm of Life”. The particular spectrum of frequency bands indicate that nature seems to employ discrete eigenfrequencies or standing waves that match precisely with an acoustic scale, with frequency ratios of 1:2, and closely approximated by 2:3, 3:4, 3:5, 4:5 and higher partials, allowing the discrete frequencies to be expressed in scalars. "
These frequency patterns, based on quantum transitions obey to frequency ratios of 1:2 and approximate partials of 2:3 (Geesnik and Meijer, 2016)....are responsible to stabilize cells or improve viability of cells....Based on the material presented in the present paper, the following novel axiom/biological principle might be at stake: nature makes use of a specific set of eigenfrequencies of electromagnetic waves as well as of quantum states, that exhibit frequency ratios of 1:2, and closely approximate 2:3 and 3:4 and higher partials, that can be expressed in scalars.

Phonon Guided Biology. Architecture of Life and Conscious Perception Are Mediated by Toroidal Coupling of Phonon, Photon and Electron Information Fluxes at Discrete Eigenfrequencies pdf December 2016

"On the other hand, the ancient Pythagorean musical scales naturally lead to a simple quantum circle....There is something profoundly quantum in all music. A discrete space–the skeleton hosting any musical score, morphs into a true musical form, only after being symbiotically enveloped by a geometry of sound. And this geometry is inherently quantum, as it connects the points of the discrete underlying structure, invalidating the difference between now, then, here and there; thus creating an irreducible continuum for a piece of music: continuous discreteness and discrete continuity."
Durdevich, Micho
Institute of Mathematics, UNAM (Mexico City)
“Music of Quantum Circles” 10/2015

Tamara Turner should understand:

 "When the speed of light in the electronic structure of the atom equals the speed of sound in the nucleus, energy transfer can occur without loss at 100 percent efficiency.... Light does indeed propagate at reduced velocity through dense media; the refraction of light in water is an everyday example....And when the slowed electromagnetic velocity matches the velocity of sound within the nucleus, there is no longer any barrier to energy transfer....This increased gravitomagnetic field gives apparent antigravity effects. In other words, the weak and strong forces and gravity balance out via their amplified magnetic components....Znidarsic: My arguments were circular for a number of yrs. I finally found the independent variable: velocity of a (sound wave) in the nucleus." Frank Znidarsic, electrical engineer on sonofusion as quantum transition superconducting energy.

"A time-like Möbius strip....Virtual black holes must be every where in space and time."
Nobel physicist Gerard 't Hooft, Feb. 2017

Quantum Black Holes, Firewalls and the Topology of Space-Time pdf

Quantum physicist Nick Herbert:
However, our conscious experience does assign a special time and a special place to the world. We experience the world in the HERE and NOW. Conscious experience seems to break the universal time/space symmetry of physics and hence (via Noether's Theorem) opens the way for Mind to violate the laws of conservation of Energy and Momentum.
But perhaps human minds in their normal state exercise only a insignificant influence on Nature's basic time/space symmetries but in Mesmeric trances, sexual transports or religious ecstasies, the powerfully experienced here/nowness of consciousness might induce extraordinary acts that violate the cherished laws of physics over and over and over again.

Thus Emmy Noether can explain St. Joseph of Cupertino.

The details are left to the student.
 "In listening to music, one is therefore perceiving an implicate order." Quantum physicist David Bohm,

Chris Knight, Tamara Turner

The Musical Precipitation Of Spirits, Saints, And Selves: Ritual, Music, And Trance In Algerian Popular Islam
Tuesday, July 4, 2017 - 18:45
Daryll Forde Seminar Room, Anthropology Building, 14 Taviton Street, London WC1H 0BW. Tube: Euston Square.

In diwan rituals, music precipitates and structures emotional trance and spirit possession trance by 'heating' the energy ('ḥāl') of the ritual in order to 'call' the spirits to possess the bodies of hosts. 
A music professor emeritus focused on sustainability said half way done he realized he doesn't understand what I am talking about.  

The Sound of the Formless: Why the Cosmic Mother will remain sustainably Unveiled
Drew Hempel, M.A.

When I finished a self-designed interdisciplinary M.A. in Liberal Studies, focused on "music theory, radical ecology and sound-current nondualism" at the University of Minnesota in 2000, I did self-directed research in nonwestern applied mind-body meditation transformation. My justification was nonwestern music theory from the Pythagorean philosophy steeped in Egyptian and West Asian tonalities, with amazing similarity to Taoist and Samkhya philosophy as well. It was not until I discovered Dr. Victor Grauer's blogbook, Sounding the Depths, did I realize that the original human culture had preserved a psychophysiological music training for spiritual healing energy, from before human language had even crystallized. Anthropologist Dr. Elizabeth Marshall Thomas revealed in an online podcast interview, how a musicologist had documented the same oldest human ritual, the Eland Bull dance, from tribes with the oldest languages already slightly differentiated. Yet the tribes had been separated since their original demarcation of language, demonstrating that the spiritual music training was common to the original human culture before human language began to be differentiated.
"There are things about the antiquity of the Bushmen’s culture that we didn't know. A musicologist found very important music which was used at a woman's first menarche called ‘elan music’ (honoring the fat-rich antelope). This ‘elan music’ was also present in other language groups of other Bushmen language groups and also the noun-less speakers who are not exactly Bushmen but they're related. This means that way back before these groups diverged, somebody invented or composed (this) music and then they took it with them."
Interview with Elizabeth Marshall Thomas, Paula Gordon Show (Peterborough, New Hampshire, July 19, 2008).

As music theory Leonard B. Meyer noted, almost all cultures use the 1-4-5 music intervals, the basis for the original human culture music as well. More recently Dr. Daniel Levitin is somewhat reluctant to recognize that all human cultures use the 1-4-5 music intervals. Certainly Western music tuning has changed from the natural harmonics of the Perfect Fifths and Perfect Fourths to the "compromised" logarithmic-based equal-tempered fourth and fifth music intervals. But as Sir James Jeans in his classic Science and Music book noted, it is the natural harmonic Perfect Fifths that create an infinite spiral of frequencies, thereby ending any notions of simplicity. In other words when the Western music tuning system was developed, the empirically true rational number-based harmonics were lost.

Of course this story of the connection between Western math and Western music is at least well-known in its general sense. Most books on the mathematics of music will note that the square root of two originated from the major 2nd music interval, 9/8, derived from the Perfect Fifth being squared and halved into the same octave, and then cubed to the tritone, as the generally considered dissonant "Devil's Interval." But what is less well-known mathematically is that the original non-Western and empirically true tuning is what mathematician Professor Alain Connes calls the simplest example of a "universal scaling system" that models his noncommutative geometry, what he calls the "Quantum Music of the Spheres" to unify general relativity and quantum mechanics.

This seems quite astonishing at first and even Alain Connes dismisses this empirical truth of the nonwestern music tuning, as his favorite composer is Chopin, someone Connes performs while practicing the piano. Connes, argues, that the future of quantum technology is best modeled by Western orchestration, where multiple spacetime clefs or voices in the brain, would have to be transposed simultaneously. Any of us who have done orchestration training at the piano know this is very much a brain exercising process. But what Connes fails to realize is that the nonwestern tuning, based on the noncommutative resonance of 2 and 3, that he acknowledges is a "universal scaling system" to unify quantum mechanics and general relativity, this music seemingly boring, repetitive and simplistic, by our Western-biased "sophistication," in fact was recognized for its secret sustainable power from the beginning of human biologically-modern culture itself.

And so in terms of music theory, it is math professor LuigiBorzacchini who, in 2007, had his research published on the secret musicorigins of the Western "Greek Miracle" of incommensurability – acover-up by Plato and Archytas that Borzacchini called "really astonishing"and "shocking." As Borzacchini has acknowledged it is only professional mathematicians who admit that the original paradoxes of time and magnitude, via Zeno, have in fact not been solved, only transferred to Set Theory, etc. Borzacchini, while embracing the results of these paradoxes, that he calls Plato's Computer, nevertheless admits there is a "pre-established deep disharmony" that secretly is the guiding "evolutive principle" of Western science.
 We can suppose that the Quadrivium in its earlier Pythagorean version did not know any discrete/continuous opposition. Math Professor Luigi Borzacchini
It is difficult for mainstream science to come to terms with this esoteric realm of music theory and mathematics and the profound implications for sustainability and applied science. Of course most scientists accept, for example, the reality of Pythagorean's Theorem, learned by 10th grade geometry class, and from there continue in their training, not questioning nor even knowing about the secret music origins of Western mathematics. Nor are they aware of how nonwestern music theory, being noncommutative, exactly enables this unification or possible unification, according to Alain Connes, of the highly disparate theories of general relativity and quantum mechanics.

But in terms of music theory we can at least study how this cover-up occurred. For example most math is based on symmetric and commutative principles but it is not until quantum mechanics became the new foundation of science that the noncommutative principle returned as the foundation of empirical reality. Ironically this noncommutative foundation was covered up at the origins of the Greek Miracle, as Alain Connes noted, with the creation of the equal-tempered music scale, starting out with Platonic math from Archytas' music analysis. Archytas deferred to Babylonian math to argue for a new "harmonic mean" instead of the "subcontrary mean:" Based on the "harmonic mean" as the Perfect Fourth, then the "arithmetic mean multiplied by the harmonic mean equals the geometric mean squared."
However, he [Archytas] noted that the product of the arithmetic mean and the harmonic mean is equal to the square of the geometric mean, so this gave a way of dividing the fifth of 3:2 into the product of 5:4 and 6:5.
A Truman State University review on Scriba, Christoph J. "Mathematics and music." (Danish) Normat 38 (1990), no. 1, 3--17, 52.

Geometric mean = alogon as irrational number promoted as the secret of Plato's philosophy.

9/8 cubed = square root of two = Devil's Interval tritone

5/4 = cube root of two

3/2 squared = 9/4 halved into octave as 9/8.

3/2 x 4/3 = 2 (geometric mean squared).

 As Professor Borzacchini points out, Archytas actually favored "logistics" or the Logos, over geometry, and so it is only due to the "cognitive bias" of Western science that this music origin of Western irrational numbers has been covered up – what he questions as possibly the "secret of the sect?" Similarly economist and history professor Michael E. Hudson has documented how it was Archytas who promoted the irrational square root of two, as a new music theory model of logarithmic-based unequal distribution of wealth – in other words the music model became the argument for an inherent "social harmony" philosophy of economic unsustainable wealth distribution.

So for Archytas what had to be covered up was the empirical truth that the subcontrary mean is actually the Perfect Fifth as the subharmonic or undertone. Using the common C-F-G model of geometry then C to F, as the subharmonic is the Perfect Fifth or 2:3 ratio but this empirical truth had to be denied and covered up, so that the equation from Babylon could be realized: Only by doubling to 4/3 could then this ratio be converted to the harmonic mean as the Perfect Fourth. Musicologists have dubbed this the "phantom tonic" since it actually changes the value of the original "home tone." That is the noncommutative geometric truth was covered up : F=3=G at the same time. This is due to the inherent noncommutative phase-space as the origin of quantum entanglement.
 Instead, the creation process says that each particle has both positive and negative angular momenta at the same time.
As physicist Fred Alan Wolf states, "The amplitude of a wave measures its strength. The phase of the wave determines its rhythmic relationship with all other waves. When waves in phase add together coherently they form a single wave with dramatic strength." (p. 143, Space Time and Beyond).

This empirical truth is deceptively simple and yet the logic is profound. Astrophysicist Paul S. Wesson calls it the Fifth Dimension that is "time-like" and can only be logically inferred or what other physicists call noncommutative phase-space. In musicology for example it is now proven that the quantum linear operative of time-frequency uncertainty or Fourier Uncertainty is surpassed by the nonlinear means of phase reversal during human auditory perception. So ironically as the Fourier Uncertainty limit is surpassed by as much as ten times beyond what technology is capable of doing, the human ear perceives the "home tone" to be phase-transferred into the Perfect Fifth music interval.
the purely sinusoidal ones, called pure tones, are the closest counterparts of stationary quantum states....results concentrate around the frequency (3 x the root tonic F), i.e., that of the third harmonic. This signal seems to be nonlinearly processed (distorted) before it reaches the heart of the detector, ie, the basilar membrane of the cochlea.... The factor is roughly constant in the region where the supposed third harmonic is generated and, at the same time, the pulse is too short to allow the fundamental frequency to be detected. Noteworthy is that the "beating of the uncertainty principle," by more than a factor of ten, as reported in [2], concerns qualities essentially of a very different nature than the pulse's duration time.
2015 pdf How Hearing Overcomes Time-Frequency Uncertainty

As biophysicist Vitus B. Droscher points out in his classic, Magic of the Senses even though the Fourier transform shows a change in amplitude and frequency from the phase shift of the octave and 3rd harmonic, the human ear hears no difference in amplitude and frequency. And so empirically because the limit of Fourier Uncertainty is transcended, in fact it is the apparently boring repetitive chanting or mantras of nonwestern trance music that in fact enables a transduction of time-frequency into the infinite spiral of formless awareness.

 Nature journal 2014 - microsound phase wavelength with ultrasound frequency is natural sweet spot for quantum healing at distance.

Science now documents that the highest frequency we can hear externally in fact resonates the quantum consciousness of the brain via the ultrasound resonance of the mind-body collagen. So for example in the study of tinnitus when an ultrasound beam is aimed at the center of the brain, the brain demodulates the ultrasound into a high pitch ringing sound. But the same scientists note that this process can be reversed, with less energy required, by simply using the same high pitch external sound, the brain resonates at ultrasound. Called the "hypersonic effect" it is now documented that natural harmonic nonwestern tuning, for example Gamelan nonlinear sound using gongs, then creates increased serotonin alpha brain waves from the ultrasound frequencies. Dr. Stuart Hameroff even tested ultrasound resonance of his collagen, noting the increased bliss from the increased serotonin alpha brain waves.
 life has actually tuned itself to use thermal vibrations to ‘pump’ coherence, rather than disrupt it, which results in a phenomenon known as ‘quantum beating’. This effect has been detected in bacterial light harvesting complexes and essentially represents a coherent superposition of electronic states, analogous to a nuclear wavepacket in the vibrational regimen. In essence, the energy in light can be harvested very efficiently and transferred using wavelike resonance. There is thus a ‘goldilocks zone’ to optimize efficiency; in effect, just the right amount of ‘noise’ can result in enhanced ‘coherence’ and ‘tunnelling’ due to stimulating particular vibrational modes in proteins–so called exciton-vibrational coupling (vibronic coupling)
macroquantum Taoist jing to qi to shen alchemy

Skulachev has suggested that fused mitochondria could act as ‘power cables’ [67]; it is thus interesting that Reynaud has shown that mitochondria can be made to fuse using electric fields in vitro [68]. This would be in keeping with the ideas of Fröhlich about energy transfer involving vibronic coupling, in particular, between mitochondria and microtubules [69].

Hence, both calorie restriction and increased metabolic demand would generate an adaptive response (hormetic trigger) to improve mitochondrial function. As the mitochondrial potential is restored, and mitochondrial mass and/or efficiency increased, quantum tunnelling would become more efficient and ATP levels re-established and ROS minimized.

This of course suggests a very tight relationship between mitochondrial function, quantum efficiency, inflammation and aging.

In summary, the central precept for this paper is that humans evolved in a quantum universe and that quantum effects are pivotal for optimal function.

It is CIA mind control scientist Dr. Andrija Puharich who discovered and postulated that the ultrasound actually activates the parasympathetic nervous system via the vagus nerve, causing neurotransmitters to have strong hydrogen side bands from the splitting of water – what he calls the Phonon-Hydron Effect. So the sidebands are in the ELF frequency range that resonates with the Schumann Earth ELF standing wave frequency, a thousand times greater than the electromagnetic energy of the typical human heart. Dr. Michael Persinger has continued this research of Dr. Puharich, arguing it is this standing wave effect that enables telepathy, and other paranormal abilities in humans, just as Dr. Puharich and other scientists have documented. For example energy healers have routinely been documented to emit infrasound ELF electromagnetic energy waves a thousand times greater than the typical heart electromagnetic wave.

At the same time, as Dr. Puharich noted, this internal sound and internal listening nonlinear resonance when it splits the hydrogen and oxygen of water, also emits light and the process works in reverse. Quantum biologist Dr. Mae-Wan Ho noted that it is precisely the phase-difference in stereophonic hearing that works on the order of microseconds, as the wavelength of the ultrasound frequency, with microseconds enabling quantum coherence that is nonlinear and nonlocal. google preview
 "protons are coherently delocalized in two momentum states."

"the frequency of the CD [coherent domain] electromagnetic field becomes much smaller than the frequency of the free field with the same wavelength."
 "The phase, distinct from the energy, can travel faster than light." Emilio Del Guidice
 A coherent system is in fact able to concentrate its energy from the whole of its degrees of freedom [infinite frequency] to a small number of them. ...We can finally put forward the hypothesis that Wilhelm Reich’s orgone is the form assumed by the energy of the organism in a condition of coherence [complementary opposite noncommutative phase-space]. In this case, the disappearance of the orgone becomes the consequence of the loss of coherence of the organism, with a subsequent loss of self-movement and a tendency towards the state of inert matter.
Quantum biology documents, contrary to quantum physics, an "order from order" amplification into the macro-realm. So contrary to the assumption that quantum entanglement is inherently random and only created from after the fact statistical correlations, the "order from order" amplification is from inherent quantum coherence as Dr. Louis de Broglie modeled, the "Law of Phase Harmony:" The momentum as phase speed is frequency multiplied by wavelength equaling the speed of light squared divided by the group velocity (or particle). In other words, nonwestern music theory was correct, there is a fifth dimension as noncommutative phase-space that is the origin of spacetime and as Professor Paul S. Wesson realized, the 4D spacetime universe exists in a holographic 5D black hole. Wesson:
 a "wavicle" is two simultaneous realizations of flat space, one with waves and one without.

From the viewpoint of 5D field theory, waves of de Broglie type have to be considered real.So in 5D all particles behave like photons and everything in the universe is in causal contact with everything else.

an oscillatory phase, which might (if a person is so inclined) be identified with... spiritual modes of existence...separation
between points is zero, so all of the events in the world are in (5D) causal contact. In other words, everything is occurring simultaneously. There is no plausible way to avoid the conclusion that particles which can be seen moving at speeds less than c should be accompanied by waves which cannot be seen and are moving at speeds greater than c.

de Broglie waves are better understood in 5D ...characteristic of inflationary cosmology...its 5D complex a model for de Broglie waves.a null interval admits, in a formal sense, velocities in 3D which exceed lightspeed.

a particle not as a point but a tiny ball of trapped waves.some of it verging on the mystical.De Broglie waves follow automatically when the expressions for the energy of a particle [E=mc squared] and a wave [E=Planck's Constant multipled by frequency] are combined.

This, admittedly, sounds strange.

Whether one believes in a model like this that straddles physics and spirituality is up to the individual....However it is remarkable that such a model can even be formulated, bridging as it does realms of experience which traditionally have been viewed as immutably separate.
And so because Western science is structurally based on what philosopher of science professor Oliver L. Reiser promoted with Dr. Andrija Puharich as the "music logarithmic spiral" as the secret guiding principle of applied technology, there is an inherent deep disharmony to Western science. In my master's thesis on radical ecology and music theory I argued that since logistic chaos equations model the Tai Chi then chaos and complexity science can usher in sustainability. But then music physicist Charles Madden wanted to publish my master's thesis yet had several unanswered questions. It was then, after studying his research, that I realized my error: In his book on music and fractals he notes that the Tai Chi inherently can't be a fractal since the math is not symmetric. It took me many more years to then research this noncommutative origin of nonwestern music theory and its secret of sustainability.

As this philosophy realizes, the truth of the Universe exists within us holographically as an eternal time-frequency creation of coherent energy-information. Mathematician Alain Connes notes that in fact our brains work as a type of limitation of the original time-frequency spectra, converting that energy-information into this perception of a 4D spacetime projection. Quantum biology realizes this secret but recognizes that no technology can reproduce the complexity of the quantum coherence resonated to a macro-level via our naturally evolved perceptions. It is Western, left-brain dominance that has cut off modern humans from our biological origins in a culture using right-brain dominant natural resonance music theory for maintaining sustainable human culture.

For example music neuroscience now proves that the left-brain perceives time precision and the right brain perceives frequency precision – but this precision is measured by external technology assuming Fourier time-frequency uncertainty as the perceptual trade-off. In fact it is only by doing the actual quantum biology nonwestern trance meditation training do we realize there is macroquantum coherence as nonlinear negentropic energy, what is now called "quantum relative entropy" in quantum computing. This quantum relative entropy originates again from the noncommutative phase-space as inherent quantum entanglement nonlocal reality – the 5th dimension, which our brain, via the magnetic gravity sensor of the pineal gland, transduces back into brain perceptions of the senses. This 5th dimensional information can even be from the future!

As I have mentioned, Taoism is based on this same truth of Pythagorean music theory, that Dr. Victor Grauer references and researches back to the original human culture, which then spread around the world. In the New World for example the "icaros" or chanting shamanic trance songs are called the secret gateway to the "formless" in the Q'ero pre-Incan Andean indigenous communities. My point is that this claim is rooted in the actual empirical truth that is universal and yet has been concealed by Western science. Often people look to music for emotional and spiritual inspiration for sustainability and yet don't realize that Western equal-tempered tuning is in fact inherently unsustainable due to this "deep pre-established disharmony." Intuitively people are drawn to the natural harmonics, for example how the 5:4 music ratio closely approximates the cube root of two, the inspiration for the three dimensional perspective of the Renaissance science. And yet it is the real 5:4 as the natural harmonics that is the blues note of smashing or bending the equal-tempered tuning, into the blues third.

People assume, due to the bias of Western science, that for music to happen, then a string has to be plucked or a tube blown into and therefore a practical scale has to be created. Simon Stevin, for example, acknowledged that 5/4 approximated the cube root of two, the basis for his first mathematical creation of equal-tempered tuning in the late 16th century. Stevin acknowledged that the natural harmonics do not matter since it would take an infinite time to close the geometry into a practical music tuning. Yet real music training relies on real music listening and listening by itself does not require the technical creation of any string or tube-based external instrument.

Simon Stevin in the 16th C. Renaissance rediscovered Archytas 5/4, cube root of 2 secret, as the foundation for logarithmic equal-tempered tuning. 1605, referring to his French work on arithmetic (1585, this ed. Vol. II B) where he had shown that the requirement of twelve equal ratios leading from 2 to 1 involves the twelfth root of 2. (unpublished until the 20th C.).

The secret of the sect music equation for the compounding proportions of the sidelengths is this:
A:X::X:Y::Y:2A = 1:5/4::5/4:8/5::8/5:2.

Euler gave Mendelssohn Mose the idea of using the ancient Delian combining problem of doubling the cube from Archytas to question and solve the equal temperament tuning.

A surviving fragment of the work of Archytas of Tarentum (ca. 350 BC) states,
"There are three means in music: one is the arithmetic, the second is the geometric, and the third is the subcontrary, which they call harmonic".
The term subcontrary may refer to the fact that a tone based on this mean reverses the order of the two fundamental musical intervals in a scale. It is believed that Archytas or one of his contemporaries gave the name "harmonic"
to the subcontrary mean because....[Infinite Series cover up of the noncommutative "bait and switch"].
The original human culture relied on singing and hand clapping and dancing for their spiritual music trance training – along with an inherent model of complementary opposites: male and female principles, that we now realize actually are the noncommutative principles of spacetime. This is the secret science of sustainability – it is not precise but it is accurate. It is simple, yet radical, and a "universal scaling system" as Alain Connes acknowledges. Even babies when born prefer the natural harmonics of the Octave-Perfect Fifth and Perfect Fourth. It is what truly unites humanity and some have considered that other species prefer the natural harmonics as well.

Hermit Thrush bird "chooses" to sing in harmonic series

our findings add to a small but growing body of research showing that a preference for small-integer frequency ratios is not unique to humans.

Kepler was against the "closed form" of the Golden Ratio because he realized for the quadratic form to be created then infinity had to be reversed, so that A:B::B:A + B had to be changed to A:B::B:A-B. Instead Kepler, as a Pythagorean, embraced the claim that numbers were "male" and "female" and that geometry was sacred and so transcended form into the formless. His Rosicrucian symbol of an equilateral triangle with circles circumscribing and inscribing the triangle, actually relied on the same claim of the Vedic math, that there is no irrational number, but instead an infinite divide and average process and the geometry is sacred and transcending form. What gets covered up in this truth, is what Samkhya, the oldest philosophy of India acknowledged: The origin of the Universe is from Omkara, based on the Triguna, the Octave, Perfect Fifth and Perfect Fourth, modeling Sattva, raja and tamas principles. Similarly the Pythagorean Tetraktys has this secret of the equilateral triangle as sacred geometry, and the Tai Chi symbol is based on the same music harmonics truth of complementary opposites.
And the important thing is not that you shine light to reconstruct it. But that the information equally well and in fact in some sense better described, more accurately described, more precisely described,'s there in that [two dimensional] film. ...That was very radical because people always associated information with volume.
Leonard Susskind on the Holographic information entanglement universe. A thin sheet of reality youtube - World Science Festival

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