Life Rhythm as a Symphony of Oscillatory Patterns: Electromagnetic Energy and Sound Vibration Modulates Gene Expression for Biological Signaling and Healing

What? Yep. Just discovered this gem. Have not even read it yet! 

Dr. Roger Jahnke has a great talk on his channel on qigong and he mentions the vagus nerve and biophotons

These strategies may represent a new tool to allow selective tuning of cell/tissue/organ homeostasis, paving the way for the use of sound physics and music for optimization as a cell therapy in regenerative medicine. Also, it is interesting to note that parallels have been drawn between traditional Chinese medicine (TCM) and sonocytology, with the suggestion that nanotechnology may shed light upon the acupuncture meridian system and contribute to the modernization of TCM techniques, including those that traditionally use musical tones for preventive treatment of disease.²⁰⁴ Cumulatively, the results found using AFM techniques support the hypothesis that cell decisions are not restricted to biochemical effectors, but can be orchestrated though nanomechanical regulators, and exposure to specific acoustic-range vibrational modes or “music” may represent a worthy field of investigation for “informative reprogramming” of cellular behavior. If such nanomechanical bioinformation can be identified, then nanomechanical/EMF patterns orchestrating stem cell commitment and differentiation might be retained and stored as an informative “nanomechanical signature” of the “sounds” or “music” emitted and functionally received by cells and organs. Such sounds might communicate the informational memory of the biofield and be used to enhance regulation of a variety of processes including differentiation, stem cell reprogramming, and the maintenance and manipulation of homeostasis.

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BIOINFORMATION: TOWARDS A NEW LANGUAGE OF VIBRATION

In this article, we have presented a portion of the large and extremely rapidly growing body of evidence suggesting the existence of a vibrational bioinformation regulation system operating across the subcellular, cellular and organismic levels. To reiterate, it has been clearly demonstrated that the microtubular cytoskeleton has functional electronic properties beyond the stabilization of cellular shape, that endogenous EMFs generated by the intracellular network of micro-tubules, centrosomes and chromosomes play a fundamental role in regulating the dynamics of mitosis and meiosis,¹³⁹ and that endogenous EMFs in the nuclear DNA-containing chromatin also play a key role in chromosome packing during the mitotic cell-cycle phase.²⁰⁵

http://www.laszloinstitute.com/people/david-muehsam/

 Dear Dr. David Muehsam: I did my first year of college at Hampshire where I took quantum mechanics from Professor Herbert Bernstein, with my focus on music-based philosophy, in 1990. I ended up finishing a master's degree in "sound-current nondualism and radical ecology" in 2000 at University of Minnesota. I did intensive qigong yoga meditation with a Chinese spiritual healer, Chunyi Lin, of http://springforestqigong.com. His "external qi" heaing was corroborated by a "randomized controlled" study healing chronic pain, not treatable by Western medicine for 5 years, peer-reviewed published, led by Dr. Ann Vincent of the Mayo Clinic.

So in regards to your Life Rhythm article, I just wanted to point out that the secret is noncommutative phase a macroquantum resonance. Eddie Oshins, the quantum physicist at Stanford also figured this out. He was tasked to study quantum logic and quantum psychology but he also taught Wing Chun. He realized that Daoist alchemy neigong is based on noncommutative phase.

So this is very simple yet very radical. Math professor Alain Connes also realized this insight, that the empirically true music theory is noncommutative and therefore a "Universal scaling system" that he calls the quantum music of the spheres. But Connes is biased toward Western music and so although he argues the foundation of reality is noncommutative time-frequency, as a "triple spectral" - he uses Western music as his metaphor.

So it was math professor Luigi Borzacchini who realized that music theory was a "negative judgment paradox" at the origin of Western math, as a "secret of the sect" that he called "really astonishing" and "shocking." He said this created a "pre-established deep disharmony" that guides Western science.

O.K. so basically there is a trick in music theory that people just don't think about - and it is noncommutative math. Archtyas used the equation arithmetic mean x harmonic mean = geometric mean squared. So therefore he could only use 3/2 as the ratio for the Perfect Fifth, as an overtone, for C to G. So if C is 1 as the root tonic, and the octave C is 2, then G is 3. But equally valid is 2/3 as the Perfect Fifth with geometric value C to F. But that had to be covered up and hidden.

So I discovered that the secret of Daoism is based on these complementary opposites of Perfect Fifths/Octaves/Perfect Fourths.  It is also the secret origin of the "three gunas" the oldest philosophy of India. And the original human culture, the  San Bushmen, relied on music based on the octave/Perfect Fifth/Fourth harmonics. Neuroscience has proven that these harmonics have the strongest amplitude resonance in the brain.

But what WEsterners don't realize, that Easterners did realize, is that it is an infinite spiral of fifths, not as just some modular math, but because it is noncommutative. Anyway Eddie Oshins realized that the hand movements of Neigong were based on the quantum logic of noncommutative phase.

As I said I realized this as well - so for example the left hand is yang, for males, and lower body yin, while the right hand is yin and upper body yang. So that is the secret to turning the body into a macroquantum harmonic oscillator - if you face the palms of the hands in those positions it creates a natural noncommutative resonance.

So the secret of OM in India is also based on this infinite spiral of fifths as noncommutative phase that is non-local consciousness. De Broglie also figured this out with his Law of Phase Harmony. So when we "turn the light around" in meditation this means time goes to zero, but there is a hidden momentum that is the phase wave from the future, as negentropic energy, the relativistic mass of light from the noncommutative spacetime ether.

My blog has more details: http://ecoechoinvasives.blogspot.com

thanks,

drew hempel.

P.s. any comments, questions, criticisms would be appreciated. I spread the research for free so if you are interesting in sharing that would be great.

 Were you supervising Division 1 projects with Music Professor Margo McKay-Simmons (sp.?) at Hampshire College. When I saw that you studied with Yusef Lateef - suddenly your voice sounded familiar to me and then I realized you looked familiar. I composed "Troll Dance" as a fugue on Moog synthesizer - recorded on a 4-trac that was out of sync. So the fugue decomposed itself in the recording, in contrast to the actual composition. You two (if I remember correctly) thought it was pretty funny. haha.

drew hempel
https://www.pdf-archive.com/2017/04/10/idiot-s-guide-to-taoist-alchemy/

That is the training overview based on the noncommutative phase music model.

This goes back to the original human culture - have you read Dr. Victor Grauer's book, "Sounding the Depths" on the original human culture music?

thanks again,

Dr. David Muehsam youtube

interactive Heart biofeedback as sound-visual art - Dr. David Muehsam in Italy  pdf

David  is a specialist in the biophysical transduction mechanisms and therapeutic applications of electromagnetic fields (EMFs). He has practiced meditation and yoga since the early 1980’s and has taught extensively around the world, leading workshops and yoga teacher-trainings in the US, EU, Asia and S. America. Dr. Muehsam holds a degree in Physics from Hampshire College, Amherst, USA, and PhD in Neurophysiology from the University of Bologna. His work in bioelectromagnetics began in 1991 at the Bioelectrochemistry Laboratory at Mt. Sinai Medical Center, NY, USA, with emphasis on EMF biophysical interaction mechanisms and therapeutics. Dr. Muehsam has authored extensively on biophysical mechanisms of EMF bioeffects, EMF therapeutics, mathematical modeling of EMF bioeffects, alternative and complementary medicine and has conducted studies on Pranayama and Qigong practices. Dr. Muehsam is the Director of Technology Development for the Consciousness and Healing Initiative, is on the Scientific Advisory Board of the Global Coherence Project, organizations dedicated to the study of consciousness, mind/body interactions and healing, and is Senior Biophysicist for Rio Grande Neurosciences. Dr. Muehsam is also an internationally recognized yoga/meditation teacher. He has studied extensively in the Iyengar and Ashtanga schools, and his practice and teaching is deeply influenced by the traditions of Satyananda Saraswati and the Thai Theravada lineage of Ajahn Chah. Dr. Muehsam has received written authorization from K. Pattabhi Jois to teach Ashtanga Vinyasa Yoga, holds Certificate IV in Teacher Training and Assessment from the Australian Government, Yoga Alliance 500-Hour certification, completed yoga teacher training with Richard Freeman, and founded the Fana Yoga teacher training school, internationally certifying yoga instructors. Dr. Muehsam has extensive international teaching experience, leading workshops and teacher-trainings, in recent years in Australia, Chile, China, Germany, India, Indonesia, Ireland, Italy, Japan, Malaysia, Singapore, Spain, Switzerland, and the United States. Dr. Muehsam is also an accomplished musician, performing on flute and saxophone since childhood. As a child and young adult he was exposed to the musical influences of New York City and Western Massachusetts, and he began to perform professionally as a teenager. His primary musical mentor is Yusef Lateef, with whom he maintained a close relationship for 15 years while living in the USA, and he has also studied with Ray Copeland, Jimmy Giuffre, George Garzone, Barry Harris, John Castellano, and more recently, Garry Dial, Antonio Hart and Allaudin Mathieu. In India, David studied bansuri flute with Ravi Shankar Mishra and All India Radio Artist Sri Upadhyaya. David has worked with his own groups, and performed with Emery Smith, Chris Daily, the Fred Clayton International Rhythm Connection, African Chic, the Baton Rouge Symphony Orchestra, and others. His experiences living and working in a variety of cultures have given him a deep interest in World Music, the use of music for healing, the potential benefits of yoga/meditation for reducing stress, improving emotional and mental well being, and how this could lead to a better understanding of health and healing.

 http://vidartscience.org/