Why 2/3 was sacred alchemy in Egypt: Solving Han Marie Stiekema's mystery of the Java Kala Great mother

So in my last blog post I proved that Plato's Timaeus goes against alchemy since we know from Daoist alchemy that you need to put the fire under the water (into the earth) to turn the water into air. Which means in terms of music harmonics that 8 is to 12 (2/3) as 9 to 6 (3/2) since they are both the Perfect Fifth this also corroborates how what we perceive in Maya to be matter as earth and water (the yin 3/4) is then transformed back into fire and air. But alchemically as the small universe meditation of the 12 Perfect Fifths - this means that the OM is going up the back as yang so that water is turned into air and water is the Yuan Qi as the tiger which originates in the lung as yin qi (air). So at first water is yin as yin jing and gets ionized and transformed into yin qi as yang jing and then finally into yuan qi - as the right eye that is lunar. So then as you breath in the yang as OM goes up the back and the MUa as yin goes down meaning the fire has to be grounded down the front channel into the earth. And so the 2/3 is reversed as Om sounded backwards as Mua - or in India harmonics MA is the Perfect Fourth that is really 2/3 as the subharmonic reversed or C to F subharmonic frequency.

So as the Chinese and real Pythagorean tuning is constructed - each harmonic node or note is actually the opposite direction from infinity - which is to say that the geometric mean is a lie of the Lyre - since 6 to 8 as 9 to 12 means 0 to 8 as the first 1 root tonic and 0 to 12 as the 2nd root tonic that is reversed in direction as 12 to 0. Since this is turned into geometric irrational magnitude by Plato then he argues that the order doesn't matter since "twoness" is an Ordinal Set and no longer based on Cardinal Order of Time. The position geometrically can be switched around symmetric and the secret of putting  Fire under the Water to create Air as Aion or kundalini eternal reverse time energy was then covered up!!

And so the reason 2/3 was the sacred fraction of alchemical harmonics in Egypt was based on Pythagoras getting the real teachings of alchemy - not the lies of Philolaus flipping his Lyre around and then promoted by Plato and Archytas as Alogon, the new Apeiron of irrational magnitude that is the Surd the "negative judgement paradox" as the unutterable irrational square root of two, the Power Axiom Set. So in Egypt, the Myth of Osiris, as Abraham Seidenberg points out, means that Osiris is the Height while Isis is the base of the triangle and Horus and Set are the hypotenuse as ratios that can never be contained by the sacred geometry. And so since we know that 9/8 cubed was the square root of two and Egypt used 9/8 to approximate the value of PI - we can see then a direct connection between the Solar calendar and the Moon with the Moon as the subharmonic of Apopsis as Nuit, the Cosmic Mother of nothingness. In other words the Ether alchemically is the source of Sound that can only be listened to - and "never unveiled." The Great Mother - that in India is call Shakti as the Unstruck Sound of Nada - the secret force of light.

So then when 9/8 is reversed to try to create logarithms - meaning that the Perfect Fifth is not multiplied by two or doubled, as the Chinese did, but rather squared - so that the Octave is not doubled but also squared as the geometric mean - and so 9/4 is the Perfect Fifth squared and then halved as 9/8 and then the Perfect Fifth - the Perfect Fourth = 9/8 only due to the geometric reversal of infinity as a "contained" negative infinity of zero by the irrational magnitude - in Alchemy this negative infinity is still a "potential energy" as Aristotle really knew. It is not matter but Water transformed into Air which is really sound as the source of light - as the Aether or Ether, the fundamental creation of spacetime.

And so in Egyptian alchemy it was taught, as Morris Berman states, the power of the Crocodile must be absorbed - which means of course to put the fire into the earth to turn the water into air based on 2/3 as the sacred harmonics as noncommutative phase that is non-local. And so as I blogged before - the Dragon in China actually originates from the Crocodile and in India the Crocodile is the life force energy. And so in Daoist alchemy the dragon is the fire energy that has to be put into the ground, thereby creating the lower tan t'ien or alchemical Cauldron by ionizing the Crocodile water - so that the lower tan t'ien is now the dragon and the tiger is returned back into the air of the lungs. This is the Tai Chi that is noncommutative phase - meaning the right hand is yin (tiger) goes over the  yang upper body as fire but then resonates with the tiger of the lungs that is yang jing or yin qi and then the left hand as yang (dragon) goes over the yin lower body as earth and then resonates with the yang jing or yin qi of the water turning it into yuan qi. In other words just as with the alchemical music scale there is a reversal of yin and yang at each step and also at the same time as noncommutative phase.

So this brings us to Java - which Han marie Stiekema says has both Chinese and Indian influence. And so he features this Kala as the Great Mother over Buddha meditating - but in terms of patriarchy - what he calls the Patriarchal Reversal - Kala as the Great Mother has been turned into Kala, the male as a demon. He says this makes no sense since Kala is featured more than any other God or Goddess and the Buddha is shown constantly being "born" out of Kala the Great Mother as the secret truth of formless awareness as not enlightenment, but rather reverse time energy-information - the Nothingness.

And so the mystery of the Kala "demon" is that it has two dragons spiraling around and coming out and going back in. And since we know in China the dragon is from the Crocodile - and we know in Egypt and India the Crocodile is the water alchemical element that is turned into Air as Yang kundalini or Yuan Qi ether - as reverse time sound energy - then we can surmise that the supposed Demon as a Male is actually a Female as the Tiger!! Remember that the Dragon then is the Male as Rajas or Yang Perfect Fifth but it transforms the Water crocodile through reversal of opposites from yin back into yang energy. And this Perfect Fifth as alchemical opposites - the Single Perfect Yang as it is called then originates as reverse time energy that can not be seen - the Great Mother that can only be listened to, as formless awareness. But in China this is the Tiger as the Yuan Qi energy that is female and this Tiger as Yuan Qi female energy is before even the Tai Chi symbol - as the Crocodile (Dragon) and Tiger go back to 5000 BCE.

And similarly the Tiger is found for the Great Mother alchemy in India as well - before Kala was turned into a Demon God of Durga - in much later times. And again the Crocodile is the secret to alchemy in Egypt as well also based on 2/3 as Yang Perfect Fifth. In fact Dr. Victor Grauer has traced this music harmonics of 2/3 from China the Yellow Emperor - Daughter of the Tiger Goddess - all the way back to the original human culture the San Bushmen. The San Bushmen music spread around the world bringing with it the secret of the N/om energy as the Snake Kundalini Dragon Crocodile energy - the reptilian vagus nerve that is the deep right side vagus nerve connecting the reproductive organs to the heart.

Xi Wangmu has shamanic attributes in the Shan Hai Jing. She is depicted as a tigress, an animal connected to shamans in China and over much of Asia. As early as 2400 bce, Indus Valley seals depict tiger-women and women dancing with tigers.

 The grave ("cave!"/hole) ideally should be located between two hills, the Tiger (female) and the Dragon (male).

 And so Han Marie Stiekema demonstrates that in Java these are sacred womb-tomb graves - and featuring the Great Mother as the "demon" with her Dragons - but since Kala is not the male Demon then she MUST be the female Tiger! combined with the Dragons as the secret of the Subharmonic if 2/3 Raja alternating for alchemical transformation from the 1 that is not matter into the source of the 1 as noncommutative phase.

 The Tiger is the Yuan Qi energy that needs to Rise Up as the rising of the Sun in the East to then set in the West - so reversal of dragon and tiger from formless awareness.

Xi Wang Mu attained it and took her seat on Shao Guang mountain.
No one knows her beginning and no one knows her end.

 Xi Wangmu often appears on circular bronze mirrors whose backs are filled with concentric panels swirling with cloud patterns and thunder signs. She is flanked by the tiger and dragon

  “mu divinities” of the directions, “mothers” who are connected to the sun and moon, or to their paths through the heavens. She notes that the widespread tiger images on Shang bronze offerings vessels may have been associated with the western mu deity, an association of tiger and west that goes back to the neolithic. [Cahill, 12-13] The tomb art of this province shows the goddess of transcendence seated in majesty on a dragon and tiger throne. [Liu, 40-3] This magical pair goes back to the Banpo neolithic, circa 5000 BCE, where they flank a burial at Xishuipo,  Henan. [Rawson, 244] Tiger and dragon represented yin and yang before the familiar Tai Ji symbol came into use during the middle ages.

 And so I have shown that in fact the Chinese alchemical "small universe" meditation is this reversal of the tiger and dragon as yin and yang - to create yin qi energy that goes back to Yuan qi. And so the 12 notes - are actually based on the Lunar and Solar calendar energy with the 1 as actually the noncommtuative phase of 2/3 and 3/2 or alchemically Fire into Earth (8/12) and Water into Air (9/6). Thereby creating reverse time energy that is superluminal phonon energy as female formless awareness. And so again just like in China - in Egypt it was the Lunar calendar that was the secret alchemical origin of turning the water, alchemically into the Cosmic Mother Ether.

(365.2425 (solar) + 354.3829 (lunar))/2 = 719.6254/2 = 359.8127 days, rounding to 360....Ancient Egyptians used this solar-based calendar for civil purpose and a lunar calendar for religious purposes....He plaid a board game with Khonsu the god of the moon. Khonsu lost and in turn gave some of his moon light to Djehuty. He had enough moon light after Khonsu lost so many times to make 5 extra days. Since these 5 extra days where not a part of the normal year Nut was allowed to be with her husband and give birth.

And so Osiris is based on the Seasons but also the harmonic nodes of circulating energy for health and happiness.

So Han Marie Stiekema documents this Great Mother worship back to 9,000 BCE - and actually Osiris worship originated out of Nubia which actually had alchemy before Egypt. In other words this alchemical secret originated out of Africa and back to the original human culture of the San Bushmen.

The Blacksmith alchemy has been documented in Africa.

So traditionally it was the blacksmith caste - in Africa and Asia - who then are separated out as males and do the alchemy training - in Egypt this was called "absorbing the power of the crocodile" - the water N/om snake reptile kundalini energy.
 
So even in Nepal then it was the blacksmiths who served as local shaman intermediaries with the Vedic Brahmin priests - and the bronze age alchemy tradition then is tied to this blending of shamanism and the blacksmiths.

 Eve -- instead of being the secret source of eternal sex power became Eve (as the corner of a square) to be controlled for materialistic power. Once the UnDead Awareness is achieved by "cutting the knot" then the priest is beyond all good and evil.

In Africa this became the Freemasonic BLACKSMITH caste which can shapeshift into crocodiles (Set -- the "evil" god of Egypt) which became the "power Set Axiom" (the official name for the square root of two, the first math equation to square the circle used to find the center of the chariot wheels).

The book "Iron, Gender and Power" is a recent academic text on Africa also see "In the Eyes of the Night: Witchcraft among the senegalese" -- another academic ivy-league anthropologist documenting shape-shifting reptilian blacksmiths as the most important magic. The iron-based technology of patriarchal pastoralism and iron-based rectilinear plowing is the most ancient form of oppression -- when the Bantu-Koi cultures then took over the Mbuti-Baka-!Kung-San cultures of matrifocal hunter-gatherers.