Friday, March 9, 2018

Harmonograph: Another wrong book on Pythagorean harmonics

This book claims that 6:8:9:12 was Pythagorean tuning as Arithmetic Mean x Harmonic Mean = Geometric Mean squared. But that is a lie! That is the lie of the Lyre from Philolaus and made official by Archytas as the secret of the Greek Miracle origin of  Western mathematics - i.e. the music logarithmic spiral as symmetric math.

Anthony Ashton has lots of pretty images but the truth of music is that you can not see time! You LISTEN to the source of the harmonics as the infinite spiral of fifths. The book notes that in China the Perfect Fifths were expanded mathematically into 53 so that it almost aligned with the Octave (instead of being closer to a half-note off). But what Ashton doesn't realize is that scale was developed thousands of years later than the real truth of Daoist alchemy based on the Lunar calendar.

Ashton knows nothing about noncommutative phase - that C if 1 and octave as 2 means G=3=F at the same time as the secret of nonlocal quantum entanglement!

And so the ancients understood the 1 as the lunar calendar and lunar pineal gland psychic energy so that the Sun as the 2/3 and 3/2 has to be put underneath the moon - to raise the harmonics frequency of the Moon energy up into the Cosmic Mother. This means that at the mid point of the scale - instead of there being an approximation of the square root of two - as was done by Philolaus and Archytas using irrational magnitude geometric mean (9/8 cubed)- there is rather a reversal of the yin and yang of 4/3 and 3/2.

Doubling is not the same as squaring and so the true Pythagorean infinite spiral of fifths never lines up with the Octave, just as the Daoist harmonics did not line up with the octave. The octave was never "squared" and so One is not a number but rather the Solar light of consciousness that listens to the source of the formless awareness as the OM or superluminal noncommutative phase of G=3=F at the same time.

In the West the males "in order to grow" rejected the Divine Feminine. Gilgamesh rejected Ishtar on his quest towards immortality; the God Marduk killed Mother Tiamat in order to rule. In Taoism Xiwangmu, however, kept Her Supreme Position while men continued to consult Her in their various stages of development throughout the ages, from archaic times where She ruled over "death and rebirth", then as Guardian of immortality, then as Ruler and Teacher. In the East the lineage of the Mother and Her Son/Lovers was unbroken for many centuries. Spectacular are recent efforts of Chinese authors to connect Xiwangmu and the Yellow Emperor as Her Son/Lover.  Really an eye-opener to me!
 Han Marie Stiekema

So this is not mythology is it mathematics of music based on the lunar calendar as alchemy.





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