Sunday, August 27, 2017

Peter Kingsley: A Pythagorean take on Jung? Bio-Music has a deeper constraint from Steven M. Rosen?

http://peterkingsley.org says he is working on a new book on Jung for this fall.

He did his Ph.D. on Pythagorean philosophy - so we can expect a Pythagorean angle on Jung.

I had corresponded with Psychologist Steven M. Rosen back around 2001 who recommended to me Marie von Franz. Rosen published his Pythagorean nondualistic moebius strip psychological model of physics.



Marie von Franz references this article from "G. Murphy" on Pythagorean Number, probability theory and quantum physics.


Steven M. Rosen Kleinian Pythagorean physics psychology model of reality

Murphy, G. (1967). Pythagorean number theory and its implications for psychology. American Psychologist, 22, 423—31.

 Pythagorean number theory and its implications for psychology.
Pages 423-431. Murphy, Gardner. http://dx.doi.org/10.1037/h0024694


Abstract
CONSIDERS THE PSYCHOLOGICAL SOURCES OF PYTHAGOREAN NUMBER THEORY. THE PYTHAGOREAN CONCEPTION OF NUMBER IS DESCRIBED IN RELATION TO PLATO AND GALILEO. THE PREOCCUPATION WITH NUMBER IS EVIDENT IN HERBART AND FECHNER AND IN THE MODERN MOVEMENT TOWARD "QUANTITATIVE RATIONAL SCIENCE." MOST PSYCHOLOGISTS, HOWEVER, AVOID THE ANCIENT PROBLEM OF DISCONTINUITY. MODERN PSYCHOLOGICAL NEGLECT OF PLANCK'S QUANTUM THEORY IS NOTED IN CONJUNCTION WITH THE CONTINUA GENERALLY REQUIRED BY MODERN PSYCHOLOGICAL AND STATISTICAL METHODOLOGY. CONTINUITY AND DISCONTINUITY THEORY MUST BE UTILIZED FOR MORE THOROUGH STUDY AND FOR THE EVENTUAL UNDERSTANDING OF MANKIND. (PsycINFO Database Record (c) 2017 APA, all rights reserved)
So I had made a similar argument citing Spencer-Brown's critique of probability statistics to analyze paranormal phenomenon.
In other words the truth of paranormal phenomenon is inherently against the symmetric math.
 What my "free pdf" analysis shows on Taoist alchemy from nonwestern music theory - going back to the original human culture of the San Bushmen - is that there is an ancient "science" that is accurate - as mind-body unification.
Basically - the left hand is yang and lower body yin, the right hand is yin and upper body yang.
The resonance is not just "non-linear" but also and more fundamentally "non-commutative phase" as the 5th dimension that is "time-like."
In the sidebar of my blog I cite the new burgeoning field of "bio-music" or biomusicality or biomusilanguage studies.
So this science readily now accepts that the "consonance concordance" claim of modern science that rejected Pythagorean mysticism (it was just a coincidence that lower ratio numbers were more consonant harmonics) - was actually true for a deeper reason!
The brain, inherently resonates with greater amplitude from the octave - Perfect Fifth/Perfect Fourth music ratios as 1:2:3:4 - the secret of Taoism and Pythagorean harmonics - and this is not just "non-linear" but is the secret of noncommutative phase from time-frequency quantum uncertainty!
And so dialectically we have this amazing "indeterminate reflection" of the "end of science" as affirming the supposed mystic cult of the Pythagoreans. That in fact, as I quote in the side bar - these Pythagorean harmonics are preferred by Nature, ecology, as a whole.
This is the secret of what I dubbed, "the natural resonance revolution" about ten years ago.
But at this critical "end point" of the great mythology of our time - science - we find the "rotten root" manifesting to reinforce the great myth that launched science originally - the great "vanishing mediator" of the lie about the empirical truth of music harmonics!
What do we have here but once again a denial of the truth of quantum noncommutative time-frequency infinite resonance! And instead a reasseration of the Archytas-Plato lie of a symmetric harmonics.
This is the "bait and switch" - notice that the noncommutative geometry of C to F and C to G have been removed?
What that research paper is focused on is the convergence of the Golden Ratio in music perception and neuroscience. This is something I first researched in my first year of college for a math class from a Harvard-trained math professor. So that was over 25 years ago.

So what this research paper admits is that the harmonic 2/3 (C to F subharmonic) introduces an asymmetry to the music scale since 2 never goes into 3 evenly. But if 2/3 is doubled and inverted to 3/4 then the square root of 1/2 can now be the symmetric "mirror" of 2/3.

This is exactly my point of the cover-up as the bait and switch. Before even the square root of two is achieved as the tritone - we now have the square root of 1/2 from the doubling of 2/3 into C to F music ratio as 4/3. In other words by maintaining the same geometric interval of C to F as the doubling to 4/3, in fact the symmetric mirror is not the double at all but the square root of 1/2.

So in their "Golden Scale" they have to use the intervals that were not allowed in the original equal-tempered scale construction! In other words for arithmetic mean x harmonic mean = golden mean squared, then only 4/3 is used as the harmonic mean and 3/2 as arithmetic mean (not 2/3 and 3/4).

And so in fact 3/2 is C to G and 4/3 is C to F but in their "golden scale" they have 2/3 as C to F and 3/4 as C to G.

This again exposes the "bait and switch" - showing how they are forced to use the subharmonic geometric values not allowed in the original equal-tempered logarithmic conversion scale.

So that is how the original noncommutative phase is covered up for the Golden Ratio symmetric Platonic Freemason math propaganda.

And so Bio-Music acknowledges the inherent Pythagorean ratios in ecology and evolution but it still needs to acknowledge that those Pythagorean ratios are noncommutative because they are from quantum biology ecology!!

G. Murphy made that connection and a Jungian analyst picked up on it. But G. Murphy was still relying on Planckian number constant that does not go to the deeper time-frequency noncommutative resonance principle, that de Broglie first realized in his Law of Phase Harmony model.


Quantum gravity and taoist cosmology: Exploring the ancient origins of phenomenological string theory

SM Rosen - Progress in Biophysics and Molecular Biology, 2017 - Elsevier
Abstract This paper carries forward the author's contribution to PBMP's previous special
issue on Integral Biomathics (Rosen 2015). In the earlier paper, the crisis in contemporary
theoretical physics was described and it was demonstrated that the problem can be 
Sure enough.

Maybe he reads my blog - I get hits from Vancouver I think, where he is at.
First, we discover a deep connection between the Klein bottle, which is crucial to the theory, and the Ho-t'u, an old Chinese number archetype central to Taoist cosmology. The two structures are seen to mirror each other in expressing the curious psychophysical (phenomenological) action pattern at the heart of microphysics.

phenomenological/Taoist string theory is guided by the dialectical interplay between symmetry and asymmetry inherent in the principle of synsymmetry. This dynamic concept of cosmic change is elaborated on in the three concluding sections of the paper. Here, a detailed analysis of cosmogony is offered, first in terms of the theory of dimensional development and its Taoist (yin-yang) counterpart, then in terms of the evolution of the elemental force particles through cycles of expansion and contraction in a spiraling universe.

  1. 1. Contemporary physics, archetypal numbers, and the Ho-t’u
  2. 2. The topology of psychophysical action
  3. 3. Quantum gravity and string theory
  4. 4. The topodimensional family
  5. 5. The world’s oldest string theory
  6. 6. General stages of dimensional development
  7. 7. The cosmogonic spiral
  8. 8. The cosmogonic spiral in light of the Tao
  9. 9. The spiral of quantum gravity
  10. 10. Toward a participatory cosmogony
  11.  
  12.  
So not full read for free?

Oops.

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